-
Das ideale Fagottrohr, um den Anforderungen des modernen Profispielers gerecht zu werden. Bei einem Kauf von nur 3-6 Fagottrohre erhalten Sie einen Rabatt auf den Versand!
-
Out of stock
-
Für den europäischen 1. Fagottisten. Das Design folgt den „straight-taper“-Prinzipien (d.h. gerade abgeschrägte Aussenhobelung) wie beschrieben in „Das Fagottrohr-Handbuch“: Lou Skinners Techniken von James R. McKay, et al. Vergessen Sie nicht! Bei einem Kauf von nur 3-6 dieser Fagottrohre sparen Sie 50% Versandkosten!
-
Out of stockHervorragend geeignet für Grenser-Nachbauten zusammen mit einem Onida WGD 328 oder Bonair/Orriols #8-S-Bogen.
-
Out of stockPasst ausgezeichnet zu Grenser-Nachbauten von Wolf.
-
Out of stockPasst ausgezeichnet zu Savary-Nachbauten von Bassetto.
-
Angebot!
Out of stockDas klassische amerikanische Standarddesign. Das Design folgt den Prinzipien des Tip-Taper-Rohres, wie beschrieben in „Das Fagottrohr-Handbuch“: Lou Skinners Techniken von James R. McKay, et al. Kaufen Sie nur 2-8 Schilf und erhalten Sie den Versand reduziert!
-
The Christlieb Reed, by Andrew Burn. The Christlieb reed is based on the reeds produced by bassoonist Don Christlieb. With the signature shape, the reed responds excellently in all registers and projects a round, dark sound. Buy up to 8 reeds and get the shipping reduced!
-
The Herzberg Reed, by Andrew Burn. The Herzberg model was developed using cane machined from the equipment produced by Norman Herzberg. With the unique shape and profile, as well as using Herzberg's forming methodology, the reed has an excellent response, is flexible in its tonal qualities, and is overall very easy to play. Herzberg reeds are an excellent tool to have in the reed box of any orchestral player. Buy up to 8 reeds and get the shipping reduced!
-
The Complete score and parts to the Ouverture-Suite for 2 Choirs of 4 Bassoons by Andrew Burn (in downloadable PDF format), with the accompanying audio recording done via Acapella. The piece is an ideal selection as a serious concert work for a university bassoon studio or mix of advanced students and professional players. The work is written in a high German baroque style and is written with care so as to avoid difficulties if being performed by an ensemble of period instrument performers. It consists of 5 movements:
- Ouverture
- Forlane
- Musette
- Rejouissance
- Menuets I & II